“Shaw & Dillan: Bareback” Let ‘Em Eat Cake

To celebrate Dillan’s special day, Sean Cody arranged for his first hardcore scene to be filmed on his birthday. Unfortunately, no one told Shaw’s dick it was invited to the party too.

So, this is Dillan’s first hardcore scene. But, Sean Cody didn’t set him up for success.

While Shaw has had his moments – remember when Daniel hosed down his chest with a load from the record books?), he’s not a natural bottom.

A much wiser casting choice for a skiddish a first-timer should have been Lane or Joe.

On the premise of a surfing lesson, the opening is a deftly mixed montage of drone and GoPro that acts as visual Viagra. That is not true for what follows. (It’s not too late to switch over to “Blake & Brysen: Bareback”). If Sean Cody paid even half the attention to the actual scene as they did to the opening credits, they could be getting cheers instead of jeers for what follows.

 
Next, opening yack yack in the car is captured by the GoPro. What is also captured is that Dillan and Shaw have absolutely zero chemistry and while Dillan is “golly gee” excited to get his fuck on, Shaw’s palpable disinterest and boredom from jump doesn’t portend well for a scene that’s almost an hour long.

 
Dillan did say foreplay is one of, “my favorite things” so Shaw plays Julie Andrews in a hummer that lasts twice as long as the song. He finally gets Shaw out of shorts and onto the bed. An initial approach at missionary doesn’t work so he flips Shaw onto his stomach for more pre-flight entertainment of a rim job. Dillan did say he’s more about foreplay than fucking. They should have listened to him.

 
They also should have given Dillan some basics like don’t block the camera and long stroking is better than rabbit jabs. That would have made the finally successful doggie fuck to follow much better. Shaw has long checked out by this point and his slack jaw and closed eyes mean his thought bubble reads what we’re all thinking: wake me when it’s over.

 
Like a broken clock that’s right twice a day, we do have the intermittent stretches now and then where things work. And almost too well apparently. Dillan creams Shaw’s hole before anyone was ready, including the crew. An ATM follows and so does another chorus of “my favorite things” where Dillan greedily sucks Shaw’s cock – which now at the 26-minute mark, is hard for the first time.

 
The hummer fails to get Shaw to critical mass so another tumbling run of fucking follows until at last, Shaw blasts off one of his super-soakers followed by Dillan’s second – and last – load of the scene. When Dillan licks up some of the spooge from Shaw’s pecs and feeds it back to him, Shaw seems excited for the first time today. In reality, he’s probably relieved that round one is over.

 
Down to the kitchen for Dillan’s birthday cake. Dillan is still rock which meant Shaw got to suck some frosting off the head like a move you’d expect to see at Helix – which might be a much better home for Dillan. Since they haven’t padded the scene enough yet, we get more yack yack in the pool which predictably is more like yack yuck.

 
Kissing begins round two and right into riding. The bodacious curves of Shaw’s beefy glutes kill the pole in hole possibilities from the back view. But a switch to the front view also reveals Shaw’s Mr. Softie is not completely covered by Dillan’s hand and not the least bit chubbed up for the occasion.

 
Then, a combo of raised missionary with some bed top pile-driver and we’ve finally got ourselves a ball game complete with fappable pole in hole footage. And while too much of this gets blocked by errant arms and limbs, eventually Shaw’s now hard cock is pointing at the ceiling and Shaw fires off a super-super soaker in one of his biggest blasts ever. And that was my favorite thing – not plural — about the scene.

 
Yes, they drag it out one last time with 4+ minutes BTS where Mr. Camera is asking Dillon about rimming & getting sucked for the first time when he shared those were “his favorite things” at the start. Dillan losing his camera cheery was enough. And if Sean Cody had handled it correctly, they wouldn’t have needed to make up shit at end – because it sure doesn’t make up for the scene. 23 tightly edited minutes would have been the way to go here.

[Watch “Shaw & Dillan: Bareback” at Sean Cody]

 
 
Another take: it’s not just a flaring appendix that deserves a second option. John Tegan of GayDailyHot always a lot to say about Sean Cody scene. We’ve decided to make it easier to compare our dueling reviews with a handy link to his take on things while he does the same from his site to The Sword. And be sure to tell him Harlan sencha!