Perfomers like Sissy Nobby, Big Freedia and SWA (Sissys With Attitude), however, are drawing the ire of other rappers like Partners-N-Crime (PNC), who claim the whole bounce scene has gone gay.
“The music has a lot more to it than just the stigma of being gay or
transvestite,” explained PNC’s Mr. Meana a few weeks later, theorizing
that after the first “90s wave of popularity there was a lull that
allowed the sissies’ style to take over, because of their multiple
releases and frequent shows. “When we took a break, it was left open
for them, and now it’s oversaturated with their style of bounce.” Now,
he worries that the flamboyance of the sissies will overshadow bounce’s
We’re not too concerned with the internal politics of bounce, but we
can’t get enough of the dancing it’s spawned: a frenetic, ass-shaking,
cheek-bouncing movement that might happen if Blake Riley and Scott
Tanner suddenly became Fly Girls.
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